测验：你能猜出罗杰·艾伯特讨厌哪部电影吗？

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　　rameborder="0">& lt;section data-block=& amp;amp;amp;amp;amp;amp;amp;#34;& amp;gt;& lt;h3& amp;amp;amp;gt; "是的，它仍然是[a]

　　另一个我从未看过的电视节目。随着这个列表的增长，它提供了越来越多的线索

　　说说我为什么这么聪明，这么开朗。”& amp;amp;amp;amp;amp;amp;amp;amp;amp; amp;amp;amp;amp;amp;amp;amp;amp;amp; amp;amp;amp;amp;amp;amp;amp;amp;amp; amp;amp;amp;amp;amp;amp;amp;厨(2004),amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ li&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;li&音箱;音箱;音箱;音箱;音箱;音箱;gt;布雷迪电影(1995),amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ li&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;li&音箱;音箱;音箱;音箱;音箱;音箱;gt;正义前锋(2005),amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ li&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;li&音箱;音箱;音箱;音箱;音箱;音箱;gt; Spac中失去

　　e (1998), amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ li&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ ul&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ section&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;部分数据块=,amp;音箱;音箱;音箱;音箱;音箱;# 34;MultipleChoice&音箱;音箱;音箱;音箱;音箱;音箱;# 34;,amp;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;h3&音箱;音箱;音箱;音箱;音箱;音箱;gt;“…塔伦蒂诺没有对他的角色做太多的事，除了让他们说太多话，尤其是在他们应该说话的时候

　　nscious休克和失血。”,amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ h3&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;ul&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;li&音箱;音箱;音箱;音箱;音箱;音箱;gt;杰基布朗(1997),amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ li&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;li&音箱;音箱;音箱;音箱;音箱;音箱;gt; Django锁不住的(2012)& amp;amp;amp;amp;amp;amp;amp; amp;amp;amp;amp;amp;amp;amp; amp;amp;amp;lt;/li& amp;amp;amp;amp;amp;amp;lt;/li& amp;amp;amp;lt;li&amp(1992), amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ li&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ ul&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ section&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;部分数据块=,amp;音箱;音箱;音箱;音箱;音箱;# 34;MultipleChoice&音箱;音箱;音箱;音箱;音箱;音箱;# 34;,amp;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;h3&音箱;音箱;音箱;音箱;音箱;音箱;gt;“这不可能更具破坏性的职业安德鲁骰子如果它被拍成纪录片，那就太好了

　　mentary恨他的人。”,amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ h3&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;ul&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;li&音箱;音箱;音箱;音箱;音箱;音箱;gt;使年级(1984),amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ li&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;li&音箱;音箱;音箱;音箱;音箱;音箱;gt;福特Fairlaine的冒险(1990)& amp;amp;amp;amp;amp;amp;amp; amp;amp;amp;amp;amp;amp;amp; amp;amp;lt;骰子规则(1991)& amp;amp;amp;amp;amp;amp;amp; amp;amp;amp;amp;amp;amp;amp;lt;/li& amp;lt;li&一个爱情故事》(1993),amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ li&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ ul&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ section&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;部分数据块=,amp;音箱;音箱;音箱;音箱;音箱;# 34;MultipleChoice&音箱;音箱;音箱;音箱;音箱;音箱;# 34;,amp;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;h3&音箱;音箱;音箱;音箱;音箱;音箱;gt;“这部电影是应该受到谴责的,沮丧,丑陋,天真烂漫，对任何观念，无论多么遥远，都是一种侮辱，人类的尊严。”,amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ h3&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;ul&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;li&音箱;音箱;音箱;音箱;音箱;音箱;gt;万圣节II (1981), amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ li&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;li&音箱;音箱;音箱;音箱;音箱;音箱;gt;尸二世(1987)& amp;amp;amp;amp;amp;amp;amp; amp;amp;amp;amp;amp;amp;lt;li& amp;amp;amp;amp;lt;/li& amp;amp;lt;li& amp;amp;amp(2005), amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ li&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ ul&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ section&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;部分数据块=,amp;音箱;音箱;音箱;音箱;音箱;# 34;MultipleChoice&音箱;音箱;音箱;音箱;音箱;音箱;# 34;,amp;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;h3&音箱;音箱;音箱;音箱;音箱;音箱;gt;“这是一个肮脏的秘密,一个

　　讲述了《一切都是梦》叙事创意的又一进步。事实上，它是如此愚蠢，以至于当我们发现这个秘密时，我们要从头开始,所以我们don&音箱;音箱;音箱;音箱;音箱;音箱;音箱;# 039;不知道秘密了。”,amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ h3&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;ul&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;li&音箱;音箱;音箱;音箱;音箱;音箱;gt;《第六感》(2004),amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ li&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;li&音箱;音箱;音箱;音箱;音箱;音箱;gt;身份(2003)& amp;amp;amp;amp;amp;amp;amp; amp;amp;amp;amp;amp;lt;li& amp;amp;amp;lt;/li& amp;amp;amp;lt;li& amp;amp;lt;li&(1995年,amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ li&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ ul&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;/ section&音箱;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;部分数据块=,amp;音箱;音箱;音箱;音箱;音箱;# 34;MultipleChoice&音箱;音箱;音箱;音箱;音箱;音箱;# 34;,amp;音箱;音箱;音箱;音箱;音箱;gt;, amp;音箱;音箱;音箱;音箱;音箱;肝移植;h3&音箱;音箱;音箱;音箱;音箱;音箱;gt;”构成

　　nna ... now nails down her title as the queen of movies that were a bad idea right from the beginning.”</h3><ul><li>Desperately Seeking Susan (1985)</li><li>Evita (1996)</li><li>Shanghai Surprise (1986)</li><li>Body of Evidence (1993(</li></ul></section><section data-block="MultipleChoice"><h3>“This is a very evil little boy; the movie could have been called Henry, Portrait of a Future Serial Killer. But what rings false is the Macaulay Culkin character isn't really a little boy at all. His speech is much too sophisticated ... ”</h3><ul><li>The Pagemaster (1994)</li><li>The Good Son (1993)</li><li>Home Alone (1990)</li><li>Richie Rich (1994)</li></ul></section><section data-block="MultipleChoice"><h3>“Never have I disliked a movie character more. They say state-of-the-art special effects can create the illusion of anything on the screen, and now we have proof ... the most repulsive single creature in the history of special effects ... ”</h3><ul><li>Alien (1979)</li><li>The Thing (1982)</li><li>Jack Frost (1998)</li><li>The Fly (1986)</li></ul></section><section data-block="MultipleChoice"><h3>“The basic miscalculation in Adam Sandler's career plan is to ever play the lead. He is not a lead. He is the best friend, or the creep, or the loser boyfriend.”</h3><ul><li>50 First Dates (2004)</li><li>Click (2006)</li><li>The Wedding Singer (1998)</li><li>Happy Gilmore (1996)</li></ul></section><section data-block="MultipleChoice"><h3>“No matter what they're charging to get in, it's worth more to get out.”</h3><ul><li>Ishtar (1987)</li><li>Armageddon (1998)</li><li>Transformers (2007)</li><li>Battlefield Earth (2000)</li></ul></section>

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　　艾伯特与银幕上的搭档、影评人吉恩·西斯克尔(Gene Siskel)一起，在20世纪80年代及以后的大部分时间里，帮助塑造和影响电影话语。但一些电影人并没有对他的批评泰然处之。导演罗兰·艾默里奇(Roland Emmerich)在1998年翻拍的《艾伯特》(Ebert)和他的助手《吉恩》(Gene)中点名了市长。据说艾默里奇对艾伯特对他的早期电影(1994年和1996年)不温不火的反应感到恼火。虽然两个角色都没有被巨型蜥蜴碾碎，但都是拙劣的模仿。毫不奇怪，当艾伯特在戛纳电影节上看到《哥斯拉》时，他给了它1.5颗星。“去戛纳电影节的宫殿看《哥斯拉》就像在圣彼得大教堂参加邪恶的仪式。这是对这座建筑所代表的信仰的谴责，”他写道，并补充道，“他们轻易放过了我们;我满心期待着被哥斯拉像虫子一样压扁。现在，我已经为一部哥斯拉电影中的一个角色提供了灵感，我真正渴望的是几个英格玛·伯格曼(Ingmar Bergman)的角色围坐在一起，小声地互相读我的评论。”

　　在这里做更多的测试: